Dr Ann Jones Partner, Wikipedia, ABC, Age, Net Worth – Australian journalist Dr. Ann Jones writes about nature. She was born in Australia on November 4th, 1953. She is a politician as well. Her work is centered around Australia. She also serves as a presenter for the Off Track program that is broadcast on ABC’s Radio National.
Dr Ann Jones Bio
| Name | Dr Ann Jones |
| Nickname | Ann |
| Age | 67 years old |
| Date Of Birth | 4 November 1953 |
| Profession | Journalist and Radio Presenter |
| Religion | Christian |
| Nationality | Australian |
| Birthplace | Australia |
Dr Ann Jones Measurement
| Height | 5 Feet 6 Inch |
| Weight | 65 Kg approx |
| Eye Colour | Blue |
| Hair Colour | Light Brown |
Dr Ann Jones Educational Qualifications
| School | High schools |
| College or University | Australian National University |
| Educational Degree | Graduated |
Dr Ann Jones Family
| Father | Not Known |
| Mother | Not Known |
| Brother / Sister | Not Known |
| Children | Not Known |
Dr Ann Jones Marital Status
| Marital Status | Married |
| Suppose Name | Not Known |
| Affairs | Not Known |
Dr Ann Jones Net Worth
| Net Worth in Dollars | $1-5 Million |
| Salary | Not Known |
Dr Ann Jones Social Media Accounts
Dr Ann Jones News
Two identical golden records were launched into space by NASA in 1977 on the Voyager spacecraft. These CDs contained a wide variety of Earthly sounds that were intended to provide any extraterrestrial intelligences who could come into contact with the craft a glimpse of what life on Earth sounded like in 1977. In addition to greetings in 55 different languages, it also featured Chuck Berry, wild dogs, elephants, hyenas, morse code, the noises of trains, planes, and cars, as well as human laughing. When the aliens do arrive, let’s hope that all of these sounds are still present.
Dr. Ann Jones’ most recent TV production was motivated by this experiment in aurally enclosing a planet. The Soundtrack of Australia explores the sounds that would be included on this nation’s own golden records if we wanted to describe what it sounds like to live in Australia to the rest of the universe. It had been a long time coming for the good doctor.
She acknowledges, “I’ve been harping on about natural sounds in the ABC for a very long time. “I recorded a ton of nature because my day work is in radio and podcasting, both of which are related tremendous the natural world. Additionally, there are a ton of interesting tales regarding sound, especially in Australia where a variety of sounds are unique to our land. I’ve been talking endlessly about this, and thank God Catalyst’s executives understood what I was saying.
It wasn’t always simple to sell. Sound is sound, after all, and television is a visual medium. Finding a means to combine Australian sounds with complimentary imagery so that the eye might be grabbed in addition to the ear was, of course, the biggest problem.
It might be challenging to create visual content regarding sound, according to Jones. “I think radio is a really creative medium because everyone contributes to the visuals while we provide the sound,” However when watching television, viewers expect to be given images of what is happening. It’s very challenging because in conventional documentaries, you don’t always hear a sound without also seeing what is creating it, which is very challenging when it comes to Australian wildlife. Many times, discovering wildlife, watching birds, or even identifying insects is based on the noises that they make rather than a visual observation. The Catalyst team was ready to take the risk despite the fact that it was a significant difficulty.
And a little bit of good fortune. Lyrebirds show off their incredible talent for mimicking in a memorable sequence from the first episode of Soundtrack, which appeared unlikely to be captured on camera. Jones and her team did not have the time that a nature documentary crew would typically have to spend weeks in the jungle waiting for the shy bird to emerge.
She explains, “We only had one day to shoot them.” “I had been admonishing the crew the entire time, ‘we’re probably not going to see them, if you see them, they’ll probably be rushing away from us. However, these young lyrebirds seemed to be practicing nonstop. As soon as we got out of the car, it started to go off. Because they typically only do it for a very little time, the lyrebird specialist and I were chasing after individuals as we raced through the forest. But I believe that the young men were especially jacked on testosterone since they were rehearsing to each other, rehearsing their songs to sticks, and just learning how to play the lyrebird. Don’t we all go through that uncomfortable phase?
In addition to capturing the sounds of the country, Soundtrack of Australia also investigates and defines what sound is, most notably through various experiments with the beatboxer and voice artist Tom Thum, whose vocal gymnastics highlight the tangible consequences of sound. Jones raves, “He’s an incredibly fantastic guy to work with. He put up with us torturing him in various ways all day.
Again, these examples were vital in creating enduring visuals to accompany the audio. The concept of a lab setting where we might demonstrate noises utilizing objects like slinkies, fire, smoke, and sand. I’m attempting to show people how strong sound is and that even if you can’t see it, molecules are moving all around you.
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